灵璧石�?/title> <style>  </style> </head> <body bgcolor="#000000"> <p align=center><b><font class=font20><font color=#FFFF00 size=5>灵璧石�?/font><font color=#00FF00>�?/font></font></b><font color=#00FF00>明·王守谦<b><font class=font20>�?/font></b></font></p> <p align=justify style="text-indent: 30; line-height: 150%; margin-top: 0; margin-bottom: 8"> <font color=#FFFFFF> 石之堪作玩者。吾灵壁石称最。谓其峰峦洞穴，浑然天成。骨秀色黝。扣之有声。按谱有形如蟠螭如菡萏如卧牛者。又有卧沙不起峰者。甚尽天划神镂之巧者。总之万石万局。于深山中掘之乃得。不知的系何时发坑。弟考之载藉。宋以前未闻有灵壁石。按　李顷氏有灵壁石一座。长二尺许。色青润。声亦泠然。背有黄沙文。一带峰峦皆隽。下金填刻字云。宣和元年三月朔日御制书。其下押一字，又大衍库有灵壁小峰。长仅五六寸。玲珑秀润，所谓胡桃玉色。徽宗御书八字刻于峰旁。云：山高月小。水落石出。略无刻琢之形。观此则灵璧石始见于宋。曾为至尊之宝。爱其品可知巳。自米颠酷嗜而声价益重。其为杨次公攫去者。乃所谓天划神镂之巧者也。后得李后主所宝之灵壁研山，径长才逾　前耸三十六峰。高者为华盖峰。具参差错落者为月岩。为玉笋。为方坛。为上稠。为翠峦。又有下洞。三折而通上洞。中有龙池。遇雨则津。滴水少许在池内，则经旬不燥。米老珍之。及归丹阳也，爱甘露寺下并江—古基。多群木，唐晋人新居，则苏氏之宅也。时米欲宅而苏觊得研。于是竞相易，米后号海岳庵者是已。公终惋惜，乃云此石—人渠手，不得再见。每同交友往观，亦不出示，绍彭公真忍人也。苏东坡画丑石风竹，易得张氏灵璧石一株。具有四面，如麋鹿宛颈状。后载归。阳羡赵松雪有灵璧石香山一座，下刻雪根二字。又一石，其大如拳，峰峦皆五列，公名之五老峰。手抓之拂之有声。此皆得之本子上者也。余在南中曾见一灵壁石，长仅数寸，十二峰，峰差尖，毫无雕琢。又一石，天生双螭蟠结，中有小水池如钞许大，其黑如漆，间有白文如玉，扣之声泠然，此天下所无而灵璧独有。偶一有之面绝不复出，良不可解。然余犹及一耳。又见如卧牛者，想亦宋无旧物流传人间者矣。国朝垂二百六十馀年，寥寥无闻。即问之土著者，亦竟不知灵壁石为何物。边万历巳酉，南台待御崤山鸿岏张公访此石甚殷。乃好事者于盘石山润壑中乘西雨觅之。稍稍见一二。于是习兹山者。凡牧竖樵子莫不求石。有力者逐发坑取之，而石渐出矣。戚庚申痒师吴兴长组先生天中浚源先生亲采石，而君侯竟陵别凤藻先生单骑往视之。众称南官之后。再覩此举。亦稍稍获有佳者。其人情好尚之极。即山灵亦终秘其珍。遂为此石之中兴。与此后掘石者日益伙，苏人不爱。善价买，舟载去。一入灵境，莫不侈口诀石。突然风尚。良可骇异。走南中贩石者踵相接面价格顿减。虽观有峰峦洞穴而青润有声，亦取狂狷之意。求所谓研山蟠螭与尽天划神镂之巧者，则绝不可复得矣。盏物之尤者，多见于始出时，而其后渐销落也。端溪下岩发于宋而竭于宋。安知念日之石。不收为广陵散乎，海内玩美之祗园。董玄宰之戏鸿堂。朱兰隅之柳浪。米友石之勺园。正伯毂之南有堂。曾莲生之香醉居。刘际明之悟石斋。刘人龙之梦觉轩。彭政义之啬室。清玩充斥，而皆以灵璧石作供，果得未曾有乎。而诸公之韵。固均足以献之矣。独喜吾邑刘节斋先生其别业观音阁前一石，径数尺，嵌空玲珑，色极青润，先生钟爱之。令此石旦暮闻钟盘声，且与苍松碧梧相依傍，则其情怡其神往。片石堪共语，其在期乎。或云此系张氏园亭物，然竞非新坑石也�?/font></p> <hr> <p align=center style="line-height: 150%; 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